Comprehension - MCAT Critical Analysis and Reasoning Skills

Adapted from Real Soldiers of Fortune by Richard Harding Davis (1906)

In the strict sense of the phrase, a soldier of fortune is a man who for pay or for the love of adventure fights under the flag of any country. In the bigger sense, he is the kind of man who in any walk of life makes his own fortune, who, when he sees it coming, leaps to meet it, and turns it to his advantage. Then there is Winston Spencer Churchill. Today there are few young men—and he is a very young man—who have met more varying fortunes, and none who has more frequently bent them to his own advancement. To him it has been indifferent whether, at the moment, the fortune seemed good or evil; in the end always it was good.

As a boy officer, when other subalterns were playing polo and at the Gaiety Theatre attending night school, he ran away to Cuba and fought with the Spaniards. For such a breach of military discipline, any other officer would have been court-martialed. Even his friends feared that by his foolishness his career in the army was at an end. Instead, his escapade was made a question in the House of Commons, and the fact brought him such publicity that The Daily Graphic paid him handsomely to write on the Cuban Revolution, and the Spanish Government rewarded him with the Order of Military Merit.

At the very outbreak of the Boer War, he was taken prisoner. It seemed a climax of misfortune. With his brother officers, he had hoped in that campaign to acquit himself with credit, and that he should lie inactive in Pretoria appeared a terrible calamity. To the others who, through many heart-breaking months, suffered imprisonment, it continued to be a calamity. But within six weeks of his capture, Churchill escaped, and, after many adventures, rejoined his own army to find that the calamity had made him a hero.

When after the battle of Omdurman, in his book The River War, he attacked Lord Kitchener, those who did not like him, and they were many, said: "That's the end of Winston in the army. He'll never get another chance to criticize K. of K." But only two years later the chance came, when, no longer a subaltern, but as a member of the House of Commons, he patronized Kitchener by defending him from the attacks of others.

Later, when his assaults upon the leaders of his own party closed to him, even in his own constituency, the Conservative debating clubs, again his ill-wishers said, "This is the end. He has ridiculed those who sit in high places. He has offended his cousin and patron, the Duke of Marlborough. Without political friends, without the influence and money of the Marlborough family, he is a political nonentity." That was eighteen months ago. Today, at the age of thirty-two, he is one of the leaders of the Government party, Under-Secretary for the Colonies, and with the Liberals the most popular young man in public life.

Only last Christmas, at a banquet, Sir Edward Grey, the new Foreign Secretary, said of him: "Mr. Winston Churchill has achieved distinction in at least five different careers—as a soldier, a war correspondent, a lecturer, an author, and last, but not least, as a politician. I have understated it even now, for he has achieved two careers as a politician—one on each side of the House. His first career on the Government side was a really distinguished career. I trust the second will be even more distinguished—and more prolonged. The remarkable thing is that he has done all this when, unless appearances very much belie him, he has not reached the age of sixty-four, which is the minimum age at which the politician ceases to be young."

In this passage, Winston Churchill is primarily characterized by his                     .

Adapted from "A Scrap of Curious History" in What is Man? And Other Essays by Mark Twain (1906)

At half past two in the morning the dead silence of the village was broken by a crashing explosion, and the town patrol saw the preacher's house spring in a wreck of whirling fragments into the sky. The preacher was killed. The town was paralyzed and with reason. To struggle against a visible enemy is a thing worth while, and there is a plenty of men who stand always ready to undertake it; but to struggle against an invisible one—an invisible one who sneaks in and does his awful work in the dark and leaves no trace—that is another matter. That is a thing to make the bravest tremble and hold back.

The cowed populace were afraid to go to the funeral. The man who was to have had a packed church to hear him expose and denounce the common enemy had but a handful to see him buried. The coroner's jury had brought in a verdict of "death by the visitation of God," for no witness came forward; if any existed they prudently kept out of the way. Nobody seemed sorry. Nobody wanted to see the terrible secret society provoked into the commission of further outrages. Everybody wanted the tragedy hushed up, ignored, forgotten, if possible.

And so there was a bitter surprise and an unwelcome one when Will Joyce, the itinerant blacksmith, came out and proclaimed himself the assassin! Plainly he was not minded to be robbed of his glory. He made his proclamation, and stuck to it. Stuck to it, and insisted upon a trial. Here was an ominous thing; here was a new and peculiarly formidable terror, for a motive was revealed here which society could not hope to deal with successfully—vanity, thirst for notoriety. If men were going to kill for notoriety's sake, and to win the glory of newspaper renown, a big trial, and a showy execution, what possible invention of man could discourage or deter them? The town was in a sort of panic; it did not know what to do.

However, the grand jury had to take hold of the matter—it had no choice. It brought in a true bill, and presently the case went to the county court. The trial was a fine sensation. The prisoner was the principal witness for the prosecution. He gave a full account of the assassination; he described even the minutest particulars: how he deposited his keg of powder and laid his train—from the house to such-and-such a spot; how George Ronalds and Henry Hart came along just then, smoking, and he borrowed Hart's cigar and fired the train with it, shouting, "Down with all slave-tyrants!" and how Hart and Ronalds made no effort to capture him, but ran away, and had never come forward to testify yet.

But they had to testify now, and they did—and pitiful it was to see how reluctant they were, and how scared. The crowded house listened to Joyce's fearful tale with a profound and breathless interest, and in a deep hush which was not broken till he broke it himself, in concluding, with a roaring repetition of his "Death to all slave-tyrants!"—which came so unexpectedly and so startlingly that it made everyone present catch his breath and gasp.

The trial was put in the paper, with biography and large portrait, with other slanderous and insane pictures, and the edition sold beyond imagination.

The execution of Joyce was a fine and picturesque thing. It drew a vast crowd. Good places in trees and seats on rail fences sold for half a dollar apiece; lemonade and gingerbread-stands had great prosperity. Joyce recited a furious and fantastic and denunciatory speech on the scaffold which had imposing passages of school-boy eloquence in it, and gave him a reputation on the spot as an orator, and his name, later, in the society's records, of the "Martyr Orator." He went to his death breathing slaughter and charging his society to "avenge his murder." If he knew anything of human nature he knew that to plenty of young fellows present in that great crowd he was a grand hero—and enviably situated.

He was hanged. It was a mistake. Within a month from his death the society which he had honored had twenty new members, some of them earnest, determined men. They did not court distinction in the same way, but they celebrated his martyrdom. The crime which had been obscure and despised had become lofty and glorified.

Such things were happening all over the country. Wild-brained martyrdom was succeeded by uprising and organization. Then, in natural order, followed riot, insurrection, and the wrack and restitutions of war. It was bound to come, and it would naturally come in that way. It has been the manner of reform since the beginning of the world.

When the author says “The prisoner was the principal witness for the prosecution,” he most nearly means                     .

Adapted from “Robespierre” in Critical Miscellanies by John Morley (1904)

M. D'Héricault does not belong to the school of writers who treat the course of history as a great high road, following a firmly traced line, and set with plain and ineffaceable landmarks. The French Revolution has nearly always been handled in this way, alike by those who think it fruitful in blessings, and by their adversaries, who pronounce it a curse inflicted by the wrath of Heaven. Historians have looked at the Revolution as a plain landsman looks at the sea. To the landsman the ocean seems one huge immeasurable flood, obeying a simple law of ebb and flow, and offering to the navigator a single uniform force. Yet in truth we know that the oceanic movement is the product of many forces; the seeming uniformity covers the energy of a hundred currents and counter-currents; the sea-floor is not even nor the same, but is subject to untold conditions of elevation and subsidence; the sea is not one mass, but many masses moving along definite lines of their own. It is the same with the great tides of history. Wise men shrink from summing them up in single propositions. That the French Revolution led to an immense augmentation of happiness, both for the French and for mankind, can only be denied by the Pope. That it secured its beneficent results untempered by any mixture of evil, can only be maintained by men as mad as Doctor Pangloss. The Greek poetess Corinna said to the youthful Pindar, when he had interwoven all the gods and goddesses in the Theban mythology into a single hymn, that we should sow with the hand and not with the sack. Corinna's monition to the singer is proper to the interpreter of historical truth: he should cull with the hand, and not sweep in with the scythe. It is doubtless mere pedantry to abstain from the widest conception of the sum of a great movement. A clear, definite, and stable idea of the meaning in the history of human progress of such vast groups of events as the Reformation or the Revolution, is indispensable for anyone to whom history is a serious study of society. It is just as important, however, not to forget that they were really groups of events, and not in either case a single uniform movement. A sensible man learns, in everyday life, to abstain from praising and blaming character by wholesale; he becomes content to say of this trait that it is good, and of that act that it was bad.

M. D'Héricault's volume naturally suggests such reflections as these. Of all the men of the Revolution, Robespierre has suffered most from the audacious idolatry of some writers, and the splenetic impatience of others. M. Louis Blanc and M. Ernest Hamel talk of him as an angel or a prophet, and the Ninth Thermidor is a red day indeed in their martyrology. Michelet and M. D'Héricault treat him as a mixture of Cagliostro and Caligula, both a charlatan and a miscreant. We are reminded of the commencement of an address of the French Senate to the first Bonaparte: 'Sire,' they began, 'the desire for perfection is one of the worst maladies that can afflict the human mind.' This bold aphorism touches one of the roots of the judgments we pass both upon men and events. It is because people so irrationally think fit to insist upon perfection, that Robespierre's admirers would fain deny that he ever had a fault, and the tacit adoption of the same impracticable standard makes it easier for Robespierre's wholesale detractors to deny that he had a single virtue or performed a single service. The point of view is essentially unfit for history. It is folly for the historian, as it is for the statesman, to strain after the imaginative unity of the dramatic creator. Social progress is an affair of many small pieces and slow accretions, and the interest of historic study lies in tracing, amid the immense turmoil of events and through the confusion of voices, the devious course of the sacred torch, as it shifts from bearer to bearer. And it is not the bearers who are most interesting, but the torch.

The metaphorical “torch” serves as a stand-in for                     .

Adapted from Hall, J. N. "Clayhill Parkhill, Anatomist and Surgeon" in Annals of Surgery (May 1902; 35(5): 674-678)

The surgery of America in those days was still in the masterly grasp of those great surgeons who, in the bloodiest war of modern times, had advanced their profession to an enviable position. In practically every city of the land, the leading surgeon was a man who, after Antietam, Gettysburg, and Cold Harbor, had amputated, perhaps, scores of limbs in a single day. The young man thirsting for a place in surgery, stood no chance in the race with men whose operative work in a single day had exceeded all that he might hope to do in ten years.

As a result, the surgery of the country in 1885 was in the hands of men already getting past middle age, and not easily adaptable to new things; as fine a class of surgeons, nevertheless, as ever honored the profession of any country.

Meanwhile the times had changed. Under the stimulus of the work of Lister, antiseptic surgery had been born. The older men watched the younger ones as they fearlessly invaded field after field upon which they had never dared to tread, and they hesitated in their work. The knowledge of bacteriology had been their undoing. A few of these men, conspicuously Keen, of Philadelphia, and Conner, of Cincinnati, adapted themselves to the new order of things; the great majority of them were crowded out by the younger men.

And had these excellent men, thus crowded out of their field of activity, done nothing for surgery? Let us look briefly at their work. After one of the great battles, perhaps 100 amputations were performed. Experience had taught them that in the serious wounds of the extremities, without amputation, 75 percent died; with immediate amputation, 75 percent lived. In other words, amputation avoided fifty deaths in each 100 cases, chiefly from septicemia, pyxemia, erysipelas, secondary hemorrhage, and hospital gangrene. But the new surgery made unnecessary most of these amputations, practically annihilated all these causes of death, and yet saved most of the limbs. Competition under these circumstances was out of the question.

The older men then stepped aside so far as operative surgery went; but the magnificent knowledge of non-operative surgery which these men had attained, executive ability of the first order, and the power of handling large bodies of men, left them still invaluable to the profession and the world. As an illustration of this point, note that as the great railroads pushed westward, almost every one had as chief surgeon one of these able men. Mercer of the Union Pacific, Livingston of the Burlington, and Bancroft of the Denver and Rio Grande, may serve as examples. During the transition period of which I speak, although the young men carried on their operative work independently, they continually sought the counsel of these older men in broad surgical questions, in their fractures and dislocations, and in many other non-operative parts of the field of surgery for which an incomparable experience had so magnificently fitted them.

Which of the following statements most represents the main idea of the passage?

Adapted from An Enquiry Concerning Human Understanding by David Hume (1748)

1. Moral philosophy, or the science of human nature, may be treated after two different manners, each of which has its peculiar merit and may contribute to the entertainment, instruction, and reformation of mankind. The one considers man chiefly as born for action and as influenced in his measures by taste and sentiment, pursuing one object and avoiding another according to the value that these objects seem to possess and according to the light in which they present themselves. As virtue, of all objects, is allowed to be the most valuable, this species of philosophers paint her in the most amiable colors, borrowing all helps from poetry and eloquence and treating their subject in an easy and obvious manner and such as is best fitted to please the imagination and engage the affections. They select the most striking observations and instances from common life; place opposite characters in a proper contrast; and alluring us into the paths of virtue by the views of glory and happiness, direct our steps in these paths by the soundest precepts and most illustrious examples. They make us feel the difference between vice and virtue; they excite and regulate our sentiments; and so they can but bend our hearts to the love of probity and true honor, they think, that they have fully attained the end of all their labors.

2. The other species of philosophers considers man in the light of a reasonable rather than an active being, and endeavors to form his understanding more than cultivate his manners. They regard human nature as a subject of speculation, and with a narrow scrutiny examine it in order to find those principles that regulate our understanding, excite our sentiments, and make us approve or blame any particular object, action, or behavior. They think it a reproach to all literature that philosophy should not yet have fixed, beyond controversy, the foundation of morals, reasoning, and criticism, and should forever talk of truth and falsehood, vice and virtue, beauty and deformity, without being able to determine the source of these distinctions. While they attempt this arduous task, they are deterred by no difficulties, but proceeding from particular instances to general principles, they still push on their enquiries to principles more general, and rest not satisfied ‘till they arrive at those original principles, by which, in every science, all human curiosity must be bounded. Though their speculations seem abstract, and even unintelligible to common readers, they aim at the approbation of the learned and the wise, and think themselves sufficiently compensated for the labor of their whole lives if they can discover some hidden truths that may contribute to the instruction of posterity.

3. It is certain that the easy and obvious philosophy will always, with the generality of mankind, have the preference above the accurate and abstruse, and by many will be recommended, not only as more agreeable, but more useful than the other. It enters more into common life; molds the heart and affections; and, by touching those principles which actuate men, reforms their conduct, and brings them nearer to that model of perfection that it describes. On the contrary, the abstruse philosophy, being founded on a turn of mind, which cannot enter into business and action, vanishes when the philosopher leaves the shade, and comes into open day; nor can its principles easily retain any influence over our conduct and behavior. The feelings of our hearts, the agitation of our passions, the vehemence of our affections, dissipate all its conclusions, and reduce the profound philosopher to the mere plebeian.

In the context of the passage, the underlined word "cultivate" in the first sentence of the second paragraph most closely means                     .

Adapted from “Robespierre” in Critical Miscellanies by John Morley (1904)

M. D'Héricault does not belong to the school of writers who treat the course of history as a great high road, following a firmly traced line, and set with plain and ineffaceable landmarks. The French Revolution has nearly always been handled in this way, alike by those who think it fruitful in blessings, and by their adversaries, who pronounce it a curse inflicted by the wrath of Heaven. Historians have looked at the Revolution as a plain landsman looks at the sea. To the landsman the ocean seems one huge immeasurable flood, obeying a simple law of ebb and flow, and offering to the navigator a single uniform force. Yet in truth we know that the oceanic movement is the product of many forces; the seeming uniformity covers the energy of a hundred currents and counter-currents; the sea-floor is not even nor the same, but is subject to untold conditions of elevation and subsidence; the sea is not one mass, but many masses moving along definite lines of their own. It is the same with the great tides of history. Wise men shrink from summing them up in single propositions. That the French Revolution led to an immense augmentation of happiness, both for the French and for mankind, can only be denied by the Pope. That it secured its beneficent results untempered by any mixture of evil, can only be maintained by men as mad as Doctor Pangloss. The Greek poetess Corinna said to the youthful Pindar, when he had interwoven all the gods and goddesses in the Theban mythology into a single hymn, that we should sow with the hand and not with the sack. Corinna's monition to the singer is proper to the interpreter of historical truth: he should cull with the hand, and not sweep in with the scythe. It is doubtless mere pedantry to abstain from the widest conception of the sum of a great movement. A clear, definite, and stable idea of the meaning in the history of human progress of such vast groups of events as the Reformation or the Revolution, is indispensable for anyone to whom history is a serious study of society. It is just as important, however, not to forget that they were really groups of events, and not in either case a single uniform movement. A sensible man learns, in everyday life, to abstain from praising and blaming character by wholesale; he becomes content to say of this trait that it is good, and of that act that it was bad.

M. D'Héricault's volume naturally suggests such reflections as these. Of all the men of the Revolution, Robespierre has suffered most from the audacious idolatry of some writers, and the splenetic impatience of others. M. Louis Blanc and M. Ernest Hamel talk of him as an angel or a prophet, and the Ninth Thermidor is a red day indeed in their martyrology. Michelet and M. D'Héricault treat him as a mixture of Cagliostro and Caligula, both a charlatan and a miscreant. We are reminded of the commencement of an address of the French Senate to the first Bonaparte: 'Sire,' they began, 'the desire for perfection is one of the worst maladies that can afflict the human mind.' This bold aphorism touches one of the roots of the judgments we pass both upon men and events. It is because people so irrationally think fit to insist upon perfection, that Robespierre's admirers would fain deny that he ever had a fault, and the tacit adoption of the same impracticable standard makes it easier for Robespierre's wholesale detractors to deny that he had a single virtue or performed a single service. The point of view is essentially unfit for history. It is folly for the historian, as it is for the statesman, to strain after the imaginative unity of the dramatic creator. Social progress is an affair of many small pieces and slow accretions, and the interest of historic study lies in tracing, amid the immense turmoil of events and through the confusion of voices, the devious course of the sacred torch, as it shifts from bearer to bearer. And it is not the bearers who are most interesting, but the torch.

According to the author, what characteristic(s) defines a “sensible man”?

Passage adapted from "Babies" by G. K. Chesterton (1903)

The two facts which attract almost every normal person to children are, first, that they are very serious, and secondly, that they are in consequence very happy.

The most unfathomable schools and sages have never attained to the gravity which dwells in the eyes of a baby of three months old. It is the gravity of astonishment at the universe, and astonishment at the universe is not mysticism, but a transcendent common sense. The fascination of children lies in this: that with each of them all things are remade, and the universe is put again upon its trial. As we walk the streets and see below us those delightful bulbous heads, three times too big for the body, which mark these human mushrooms, we ought always to remember that within every one of these heads there is a new universe, as new as it was on the seventh day of creation. In each of those orbs there is a new system of stars, new grass, new cities, a new sea.

If we could see the stars as a child sees them, we should need no other apocalypse… We may scale the heavens and find new stars innumerable, but there is still the new star we have not found – the one on which we were born. But the influence of children goes further than its first trifling effort of remaking heaven and earth. It forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvelousness of all things. We do actually treat talking in children as marvelous, walking in children as marvelous, common intelligence in children as marvelous… and that attitude towards children is right. It is our attitude towards grown up people that is wrong.

Our attitude towards children consists in a condescending indulgence, overlying an unfathomable respect; we reverence, love, fear and forgive them. We bow to grown people, take off our hats to them, refrain from contradicting them flatly, but we do not appreciate them properly. If we treated all grown-up persons with precisely that dark affection and dazed respect with which we treat the limitations of an infant, accepting their blunders, delighted at all their faltering attempts, marveling at their small accomplishments, we should be in a far more wise and tolerant temper.

The essential rectitude of our view of children lies in the fact that we feel them and their ways to be supernatural while, for some mysterious reason, we do not feel ourselves or our own ways to be supernatural. The very smallness of children makes it possible to regard them as marvels; we seem to be dealing with a new race, only to be seen through a microscope. I doubt if anyone of any tenderness or imagination can see the hand of a child and not be a little frightened of it. It is awful to think of the essential human energy moving so tiny a thing; it is like imagining that human nature could live in the wing of a butterfly or the leaf of a tree. When we look upon lives so human and yet so small, we feel the same kind of obligation to these creatures that God might feel.

But it is the humorous look of children that is perhaps the most endearing of all the bonds that hold the cosmos together. They give us the most perfect hint of the humor that awaits us in the kingdom of heaven.

The author’s discussion includes an assumption that the reader                               .

Adapted from Real Soldiers of Fortune by Richard Harding Davis (1906)

In the strict sense of the phrase, a soldier of fortune is a man who for pay or for the love of adventure fights under the flag of any country. In the bigger sense, he is the kind of man who in any walk of life makes his own fortune, who, when he sees it coming, leaps to meet it, and turns it to his advantage. Then there is Winston Spencer Churchill. Today there are few young men—and he is a very young man—who have met more varying fortunes, and none who has more frequently bent them to his own advancement. To him it has been indifferent whether, at the moment, the fortune seemed good or evil; in the end always it was good.

As a boy officer, when other subalterns were playing polo and at the Gaiety Theatre attending night school, he ran away to Cuba and fought with the Spaniards. For such a breach of military discipline, any other officer would have been court-martialed. Even his friends feared that by his foolishness his career in the army was at an end. Instead, his escapade was made a question in the House of Commons, and the fact brought him such publicity that The Daily Graphic paid him handsomely to write on the Cuban Revolution, and the Spanish Government rewarded him with the Order of Military Merit.

At the very outbreak of the Boer War, he was taken prisoner. It seemed a climax of misfortune. With his brother officers, he had hoped in that campaign to acquit himself with credit, and that he should lie inactive in Pretoria appeared a terrible calamity. To the others who, through many heart-breaking months, suffered imprisonment, it continued to be a calamity. But within six weeks of his capture, Churchill escaped, and, after many adventures, rejoined his own army to find that the calamity had made him a hero.

When after the battle of Omdurman, in his book The River War, he attacked Lord Kitchener, those who did not like him, and they were many, said: "That's the end of Winston in the army. He'll never get another chance to criticize K. of K." But only two years later the chance came, when, no longer a subaltern, but as a member of the House of Commons, he patronized Kitchener by defending him from the attacks of others.

Later, when his assaults upon the leaders of his own party closed to him, even in his own constituency, the Conservative debating clubs, again his ill-wishers said, "This is the end. He has ridiculed those who sit in high places. He has offended his cousin and patron, the Duke of Marlborough. Without political friends, without the influence and money of the Marlborough family, he is a political nonentity." That was eighteen months ago. Today, at the age of thirty-two, he is one of the leaders of the Government party, Under-Secretary for the Colonies, and with the Liberals the most popular young man in public life.

Only last Christmas, at a banquet, Sir Edward Grey, the new Foreign Secretary, said of him: "Mr. Winston Churchill has achieved distinction in at least five different careers—as a soldier, a war correspondent, a lecturer, an author, and last, but not least, as a politician. I have understated it even now, for he has achieved two careers as a politician—one on each side of the House. His first career on the Government side was a really distinguished career. I trust the second will be even more distinguished—and more prolonged. The remarkable thing is that he has done all this when, unless appearances very much belie him, he has not reached the age of sixty-four, which is the minimum age at which the politician ceases to be young."

In this passage, Winston Churchill is primarily characterized by his                     .

Passage adapted from "The Modern Martyr" by G.K. Chesterton (1908)

The incident of the Suffragettes who chained themselves with iron chains to the railings of Downing Street is a good ironical allegory of most modern martyrdom. It generally consists of a man chaining himself up and then complaining that he is not free. Some say that such larks retard the cause of female suffrage, others say that such larks alone can advance it; as a matter of fact, I do not believe that they have the smallest effect one way or the other.

The modern notion of impressing the public by a mere demonstration of unpopularity, by being thrown out of meetings or thrown into jail is largely a mistake. It rests on a fallacy touching the true popular value of martyrdom. People look at human history and see that it has often happened that persecutions have not only advertised but even advanced a persecuted creed, and given to its validity the public and dreadful witness of dying men. The paradox was pictorially expressed in Christian art, in which saints were shown brandishing as weapons the very tools that had slain them. And because his martyrdom is thus a power to the martyr, modern people think that any one who makes himself slightly uncomfortable in public will immediately be uproariously popular. This element of inadequate martyrdom is not true only of the Suffragettes; it is true of many movements I respect and some that I agree with. It was true, for instance, of the Passive Resisters, who had pieces of their furniture sold up. The assumption is that if you show your ordinary sincerity (or even your political ambition) by being a nuisance to yourself as well as to other people, you will have the strength of the great saints who passed through the fire. Anyone who can be hustled in a hall for five minutes, or put in a cell for five days, has achieved what was meant by martyrdom, and has a halo in the Christian art of the future. Miss Pankhurst will be represented holding a policeman in each hand--the instruments of her martyrdom. The Passive Resister will be shown symbolically carrying the teapot that was torn from him by tyrannical auctioneers.

But there is a fallacy in this analogy of martyrdom. The truth is that the special impressiveness which does come from being persecuted only happens in the case of extreme persecution. For the fact that the modern enthusiast will undergo some inconvenience for the creed he holds only proves that he does hold it, which no one ever doubted. No one doubts that the Nonconformist minister cares more for Nonconformity than he does for his teapot. No one doubts that Miss Pankhurst wants a vote more than she wants a quiet afternoon and an armchair. Pagans were not impressed by the torture of Christians merely because it showed that they honestly held their opinion; they knew that millions of people honestly held all sorts of opinions. The point of such extreme martyrdom is much more subtle. It is that it gives an appearance of a man having something quite specially strong to back him up, of his drawing upon some power. And this can only be proved when all his physical contentment is destroyed; when all the current of his bodily being is reversed and turned to pain. If a man is seen to be roaring with laughter all the time that he is skinned alive, it would not be unreasonable to deduce that somewhere in the recesses of his mind he had thought of a rather good joke. Similarly, if men smiled and sang (as they did) while they were being boiled or torn in pieces, the spectators felt the presence of something more than mere mental honesty: they felt the presence of some new and unintelligible kind of pleasure, which, presumably, came from somewhere. It might be a strength of madness, or a lying spirit from Hell; but it was something quite positive and extraordinary; as positive as brandy and as extraordinary as conjuring. The Pagan said to himself: "If Christianity makes a man happy while his legs are being eaten by a lion, might it not make me happy while my legs are still attached to me and walking down the street?"

According to the author, the sufferings of Christians were impressive to the Pagans because they displayed evidence of                               .

Adapted from "A Scrap of Curious History" in What is Man? And Other Essays by Mark Twain (1906)

At half past two in the morning the dead silence of the village was broken by a crashing explosion, and the town patrol saw the preacher's house spring in a wreck of whirling fragments into the sky. The preacher was killed. The town was paralyzed and with reason. To struggle against a visible enemy is a thing worth while, and there is a plenty of men who stand always ready to undertake it; but to struggle against an invisible one—an invisible one who sneaks in and does his awful work in the dark and leaves no trace—that is another matter. That is a thing to make the bravest tremble and hold back.

The cowed populace were afraid to go to the funeral. The man who was to have had a packed church to hear him expose and denounce the common enemy had but a handful to see him buried. The coroner's jury had brought in a verdict of "death by the visitation of God," for no witness came forward; if any existed they prudently kept out of the way. Nobody seemed sorry. Nobody wanted to see the terrible secret society provoked into the commission of further outrages. Everybody wanted the tragedy hushed up, ignored, forgotten, if possible.

And so there was a bitter surprise and an unwelcome one when Will Joyce, the itinerant blacksmith, came out and proclaimed himself the assassin! Plainly he was not minded to be robbed of his glory. He made his proclamation, and stuck to it. Stuck to it, and insisted upon a trial. Here was an ominous thing; here was a new and peculiarly formidable terror, for a motive was revealed here which society could not hope to deal with successfully—vanity, thirst for notoriety. If men were going to kill for notoriety's sake, and to win the glory of newspaper renown, a big trial, and a showy execution, what possible invention of man could discourage or deter them? The town was in a sort of panic; it did not know what to do.

However, the grand jury had to take hold of the matter—it had no choice. It brought in a true bill, and presently the case went to the county court. The trial was a fine sensation. The prisoner was the principal witness for the prosecution. He gave a full account of the assassination; he described even the minutest particulars: how he deposited his keg of powder and laid his train—from the house to such-and-such a spot; how George Ronalds and Henry Hart came along just then, smoking, and he borrowed Hart's cigar and fired the train with it, shouting, "Down with all slave-tyrants!" and how Hart and Ronalds made no effort to capture him, but ran away, and had never come forward to testify yet.

But they had to testify now, and they did—and pitiful it was to see how reluctant they were, and how scared. The crowded house listened to Joyce's fearful tale with a profound and breathless interest, and in a deep hush which was not broken till he broke it himself, in concluding, with a roaring repetition of his "Death to all slave-tyrants!"—which came so unexpectedly and so startlingly that it made everyone present catch his breath and gasp.

The trial was put in the paper, with biography and large portrait, with other slanderous and insane pictures, and the edition sold beyond imagination.

The execution of Joyce was a fine and picturesque thing. It drew a vast crowd. Good places in trees and seats on rail fences sold for half a dollar apiece; lemonade and gingerbread-stands had great prosperity. Joyce recited a furious and fantastic and denunciatory speech on the scaffold which had imposing passages of school-boy eloquence in it, and gave him a reputation on the spot as an orator, and his name, later, in the society's records, of the "Martyr Orator." He went to his death breathing slaughter and charging his society to "avenge his murder." If he knew anything of human nature he knew that to plenty of young fellows present in that great crowd he was a grand hero—and enviably situated.

He was hanged. It was a mistake. Within a month from his death the society which he had honored had twenty new members, some of them earnest, determined men. They did not court distinction in the same way, but they celebrated his martyrdom. The crime which had been obscure and despised had become lofty and glorified.

Such things were happening all over the country. Wild-brained martyrdom was succeeded by uprising and organization. Then, in natural order, followed riot, insurrection, and the wrack and restitutions of war. It was bound to come, and it would naturally come in that way. It has been the manner of reform since the beginning of the world.

When the author says “The prisoner was the principal witness for the prosecution,” he most nearly means                     .

Adapted from “Robespierre” in Critical Miscellanies by John Morley (1904)

M. D'Héricault does not belong to the school of writers who treat the course of history as a great high road, following a firmly traced line, and set with plain and ineffaceable landmarks. The French Revolution has nearly always been handled in this way, alike by those who think it fruitful in blessings, and by their adversaries, who pronounce it a curse inflicted by the wrath of Heaven. Historians have looked at the Revolution as a plain landsman looks at the sea. To the landsman the ocean seems one huge immeasurable flood, obeying a simple law of ebb and flow, and offering to the navigator a single uniform force. Yet in truth we know that the oceanic movement is the product of many forces; the seeming uniformity covers the energy of a hundred currents and counter-currents; the sea-floor is not even nor the same, but is subject to untold conditions of elevation and subsidence; the sea is not one mass, but many masses moving along definite lines of their own. It is the same with the great tides of history. Wise men shrink from summing them up in single propositions. That the French Revolution led to an immense augmentation of happiness, both for the French and for mankind, can only be denied by the Pope. That it secured its beneficent results untempered by any mixture of evil, can only be maintained by men as mad as Doctor Pangloss. The Greek poetess Corinna said to the youthful Pindar, when he had interwoven all the gods and goddesses in the Theban mythology into a single hymn, that we should sow with the hand and not with the sack. Corinna's monition to the singer is proper to the interpreter of historical truth: he should cull with the hand, and not sweep in with the scythe. It is doubtless mere pedantry to abstain from the widest conception of the sum of a great movement. A clear, definite, and stable idea of the meaning in the history of human progress of such vast groups of events as the Reformation or the Revolution, is indispensable for anyone to whom history is a serious study of society. It is just as important, however, not to forget that they were really groups of events, and not in either case a single uniform movement. A sensible man learns, in everyday life, to abstain from praising and blaming character by wholesale; he becomes content to say of this trait that it is good, and of that act that it was bad.

M. D'Héricault's volume naturally suggests such reflections as these. Of all the men of the Revolution, Robespierre has suffered most from the audacious idolatry of some writers, and the splenetic impatience of others. M. Louis Blanc and M. Ernest Hamel talk of him as an angel or a prophet, and the Ninth Thermidor is a red day indeed in their martyrology. Michelet and M. D'Héricault treat him as a mixture of Cagliostro and Caligula, both a charlatan and a miscreant. We are reminded of the commencement of an address of the French Senate to the first Bonaparte: 'Sire,' they began, 'the desire for perfection is one of the worst maladies that can afflict the human mind.' This bold aphorism touches one of the roots of the judgments we pass both upon men and events. It is because people so irrationally think fit to insist upon perfection, that Robespierre's admirers would fain deny that he ever had a fault, and the tacit adoption of the same impracticable standard makes it easier for Robespierre's wholesale detractors to deny that he had a single virtue or performed a single service. The point of view is essentially unfit for history. It is folly for the historian, as it is for the statesman, to strain after the imaginative unity of the dramatic creator. Social progress is an affair of many small pieces and slow accretions, and the interest of historic study lies in tracing, amid the immense turmoil of events and through the confusion of voices, the devious course of the sacred torch, as it shifts from bearer to bearer. And it is not the bearers who are most interesting, but the torch.

The metaphorical “torch” serves as a stand-in for                     .

Adapted from Hall, J. N. "Clayhill Parkhill, Anatomist and Surgeon" in Annals of Surgery (May 1902; 35(5): 674-678)

The surgery of America in those days was still in the masterly grasp of those great surgeons who, in the bloodiest war of modern times, had advanced their profession to an enviable position. In practically every city of the land, the leading surgeon was a man who, after Antietam, Gettysburg, and Cold Harbor, had amputated, perhaps, scores of limbs in a single day. The young man thirsting for a place in surgery, stood no chance in the race with men whose operative work in a single day had exceeded all that he might hope to do in ten years.

As a result, the surgery of the country in 1885 was in the hands of men already getting past middle age, and not easily adaptable to new things; as fine a class of surgeons, nevertheless, as ever honored the profession of any country.

Meanwhile the times had changed. Under the stimulus of the work of Lister, antiseptic surgery had been born. The older men watched the younger ones as they fearlessly invaded field after field upon which they had never dared to tread, and they hesitated in their work. The knowledge of bacteriology had been their undoing. A few of these men, conspicuously Keen, of Philadelphia, and Conner, of Cincinnati, adapted themselves to the new order of things; the great majority of them were crowded out by the younger men.

And had these excellent men, thus crowded out of their field of activity, done nothing for surgery? Let us look briefly at their work. After one of the great battles, perhaps 100 amputations were performed. Experience had taught them that in the serious wounds of the extremities, without amputation, 75 percent died; with immediate amputation, 75 percent lived. In other words, amputation avoided fifty deaths in each 100 cases, chiefly from septicemia, pyxemia, erysipelas, secondary hemorrhage, and hospital gangrene. But the new surgery made unnecessary most of these amputations, practically annihilated all these causes of death, and yet saved most of the limbs. Competition under these circumstances was out of the question.

The older men then stepped aside so far as operative surgery went; but the magnificent knowledge of non-operative surgery which these men had attained, executive ability of the first order, and the power of handling large bodies of men, left them still invaluable to the profession and the world. As an illustration of this point, note that as the great railroads pushed westward, almost every one had as chief surgeon one of these able men. Mercer of the Union Pacific, Livingston of the Burlington, and Bancroft of the Denver and Rio Grande, may serve as examples. During the transition period of which I speak, although the young men carried on their operative work independently, they continually sought the counsel of these older men in broad surgical questions, in their fractures and dislocations, and in many other non-operative parts of the field of surgery for which an incomparable experience had so magnificently fitted them.

Which of the following statements most represents the main idea of the passage?

Adapted from An Enquiry Concerning Human Understanding by David Hume (1748)

1. Moral philosophy, or the science of human nature, may be treated after two different manners, each of which has its peculiar merit and may contribute to the entertainment, instruction, and reformation of mankind. The one considers man chiefly as born for action and as influenced in his measures by taste and sentiment, pursuing one object and avoiding another according to the value that these objects seem to possess and according to the light in which they present themselves. As virtue, of all objects, is allowed to be the most valuable, this species of philosophers paint her in the most amiable colors, borrowing all helps from poetry and eloquence and treating their subject in an easy and obvious manner and such as is best fitted to please the imagination and engage the affections. They select the most striking observations and instances from common life; place opposite characters in a proper contrast; and alluring us into the paths of virtue by the views of glory and happiness, direct our steps in these paths by the soundest precepts and most illustrious examples. They make us feel the difference between vice and virtue; they excite and regulate our sentiments; and so they can but bend our hearts to the love of probity and true honor, they think, that they have fully attained the end of all their labors.

2. The other species of philosophers considers man in the light of a reasonable rather than an active being, and endeavors to form his understanding more than cultivate his manners. They regard human nature as a subject of speculation, and with a narrow scrutiny examine it in order to find those principles that regulate our understanding, excite our sentiments, and make us approve or blame any particular object, action, or behavior. They think it a reproach to all literature that philosophy should not yet have fixed, beyond controversy, the foundation of morals, reasoning, and criticism, and should forever talk of truth and falsehood, vice and virtue, beauty and deformity, without being able to determine the source of these distinctions. While they attempt this arduous task, they are deterred by no difficulties, but proceeding from particular instances to general principles, they still push on their enquiries to principles more general, and rest not satisfied ‘till they arrive at those original principles, by which, in every science, all human curiosity must be bounded. Though their speculations seem abstract, and even unintelligible to common readers, they aim at the approbation of the learned and the wise, and think themselves sufficiently compensated for the labor of their whole lives if they can discover some hidden truths that may contribute to the instruction of posterity.

3. It is certain that the easy and obvious philosophy will always, with the generality of mankind, have the preference above the accurate and abstruse, and by many will be recommended, not only as more agreeable, but more useful than the other. It enters more into common life; molds the heart and affections; and, by touching those principles which actuate men, reforms their conduct, and brings them nearer to that model of perfection that it describes. On the contrary, the abstruse philosophy, being founded on a turn of mind, which cannot enter into business and action, vanishes when the philosopher leaves the shade, and comes into open day; nor can its principles easily retain any influence over our conduct and behavior. The feelings of our hearts, the agitation of our passions, the vehemence of our affections, dissipate all its conclusions, and reduce the profound philosopher to the mere plebeian.

In the context of the passage, the underlined word "cultivate" in the first sentence of the second paragraph most closely means                     .

Adapted from “Robespierre” in Critical Miscellanies by John Morley (1904)

M. D'Héricault does not belong to the school of writers who treat the course of history as a great high road, following a firmly traced line, and set with plain and ineffaceable landmarks. The French Revolution has nearly always been handled in this way, alike by those who think it fruitful in blessings, and by their adversaries, who pronounce it a curse inflicted by the wrath of Heaven. Historians have looked at the Revolution as a plain landsman looks at the sea. To the landsman the ocean seems one huge immeasurable flood, obeying a simple law of ebb and flow, and offering to the navigator a single uniform force. Yet in truth we know that the oceanic movement is the product of many forces; the seeming uniformity covers the energy of a hundred currents and counter-currents; the sea-floor is not even nor the same, but is subject to untold conditions of elevation and subsidence; the sea is not one mass, but many masses moving along definite lines of their own. It is the same with the great tides of history. Wise men shrink from summing them up in single propositions. That the French Revolution led to an immense augmentation of happiness, both for the French and for mankind, can only be denied by the Pope. That it secured its beneficent results untempered by any mixture of evil, can only be maintained by men as mad as Doctor Pangloss. The Greek poetess Corinna said to the youthful Pindar, when he had interwoven all the gods and goddesses in the Theban mythology into a single hymn, that we should sow with the hand and not with the sack. Corinna's monition to the singer is proper to the interpreter of historical truth: he should cull with the hand, and not sweep in with the scythe. It is doubtless mere pedantry to abstain from the widest conception of the sum of a great movement. A clear, definite, and stable idea of the meaning in the history of human progress of such vast groups of events as the Reformation or the Revolution, is indispensable for anyone to whom history is a serious study of society. It is just as important, however, not to forget that they were really groups of events, and not in either case a single uniform movement. A sensible man learns, in everyday life, to abstain from praising and blaming character by wholesale; he becomes content to say of this trait that it is good, and of that act that it was bad.

M. D'Héricault's volume naturally suggests such reflections as these. Of all the men of the Revolution, Robespierre has suffered most from the audacious idolatry of some writers, and the splenetic impatience of others. M. Louis Blanc and M. Ernest Hamel talk of him as an angel or a prophet, and the Ninth Thermidor is a red day indeed in their martyrology. Michelet and M. D'Héricault treat him as a mixture of Cagliostro and Caligula, both a charlatan and a miscreant. We are reminded of the commencement of an address of the French Senate to the first Bonaparte: 'Sire,' they began, 'the desire for perfection is one of the worst maladies that can afflict the human mind.' This bold aphorism touches one of the roots of the judgments we pass both upon men and events. It is because people so irrationally think fit to insist upon perfection, that Robespierre's admirers would fain deny that he ever had a fault, and the tacit adoption of the same impracticable standard makes it easier for Robespierre's wholesale detractors to deny that he had a single virtue or performed a single service. The point of view is essentially unfit for history. It is folly for the historian, as it is for the statesman, to strain after the imaginative unity of the dramatic creator. Social progress is an affair of many small pieces and slow accretions, and the interest of historic study lies in tracing, amid the immense turmoil of events and through the confusion of voices, the devious course of the sacred torch, as it shifts from bearer to bearer. And it is not the bearers who are most interesting, but the torch.

According to the author, what characteristic(s) defines a “sensible man”?

Adapted from "A Criticism on the English Historians" by Samuel Johnson in The Rambler #122 (1751)

Of the various kinds of speaking or writing, which serve necessity, or promote pleasure, none appears so artless or easy as simple narration; for what should make him who knows the whole order and progress of an affair unable to relate it? Yet we hourly find such as endeavor to entertain or instruct us by recitals, clouding the facts that they intend to illustrate, and losing themselves and their auditors in wilds and mazes, in digression and confusion. When we have congratulated ourselves upon a new opportunity of inquiry, and new means of information, it often happens, that without designing either deceit or concealment, without ignorance of the fact, or unwillingness to disclose it, the relator fills the ear with empty sounds, harasses the attention with fruitless impatience, and disturbs the imagination by a tumult of events, without order of time, or train of consequence.

It is natural to believe, upon the same principle, that no writer has a more easy task than the historian. The philosopher has the works of omniscience to examine, and is therefore engaged in disquisitions, to which finite intellects are utterly unequal. The poet trusts to his invention, and is not only in danger of those inconsistencies, to which every one is exposed by departure from truth, but may be censured as well for deficiencies of matter, as for irregularity of disposition, or impropriety of ornament. But the happy historian has no other labor than of gathering what tradition pours down before him, or records treasure for his use. He has only the actions and designs of men like himself to conceive and to relate; he is not to form, but copy characters, and therefore is not blamed for the inconsistency of statesmen, the injustice of tyrants, or the cowardice of commanders. The difficulty of making variety consistent, or uniting probability with surprise, needs not to disturb him; the manners and actions of his personages are already fixed; his materials are provided and put into his hands, and he is at leisure to employ all his powers in arranging and displaying them.

Yet, even with these advantages, very few in any age have been able to raise themselves to reputation by writing histories; and among the innumerable authors who fill every nation with accounts of their ancestors, or undertake to transmit to futurity the events of their own time, the greater part, when fashion and novelty have ceased to recommend them, are of no other use than chronological memorials, which necessity may sometimes require to be consulted, but which fright away curiosity and disgust delicacy.

It is observed that our nation, which has produced so many authors eminent for almost every other species of literary excellence, has been hitherto remarkably barren of historical genius; and so far has this defect raised prejudices against us, that some have doubted whether an Englishman can stop at that mediocrity of style, or confine his mind to that even tenor of imagination that narrative requires.

They who can believe that nature has so capriciously distributed understanding, have surely no claim to the honor of serious confutation. The inhabitants of the same country have opposite characters in different ages; the prevalence or neglect of any particular study can proceed only from the accidental influence of some temporary cause; and if we have failed in history, we can have failed only because history has not hitherto been diligently cultivated.

But how is it evident, that we have not historians among us, whom we may venture to place in comparison with any that the neighboring nations can produce? The attempt of Raleigh is deservedly celebrated for the labor of his researches, and the elegance of his style; but he has endeavored to exert his judgment more than his genius, to select facts, rather than adorn them; and has produced an historical dissertation, but seldom risen to the majesty of history.

Which of the following questions is MOST relevant to the passage?

Adapted from Bacon by R. W. Church (1884)

The life of Francis Bacon is one that it is a pain to write or to read. It is the life of a man endowed with as rare a combination of noble gifts as ever was bestowed on a human intellect; the life of one with whom the whole purpose of living and of every day's work was to do great things to enlighten and elevate humanity; it was the life of a man who had high thoughts of the ends and methods of law and government, and with whom the general and public good was regarded as the standard by which the use of public power was to be measured. All his life long his first and never-sleeping passion was the romantic and splendid ambition after knowledge, for the conquest of nature and for the service of humankind. It is difficult to imagine a grander and more magnificent career, and his name ranks among the few chosen examples of human achievement. And yet it was not only an unhappy life; it was a poor life. We expect that such an overwhelming weight of glory should be borne up by a character corresponding to it in strength and nobleness. But that is not what we find. He cringed to such a man as Buckingham. He sold himself to the corrupt and ignominious government of James I. He was willing to be employed to hunt to death a friend like Essex, guilty, deeply guilty, to the State, but to Bacon the most loving and generous of benefactors. With his eyes open he gave himself up without resistance to a system unworthy of him; he would not see what was evil in it, and chose to call its evil good, and he was its first and most signal victim.

Bacon has been judged with merciless severity. But he has also been defended by an advocate whose name alone is almost a guarantee for the justness of the cause which he takes up, and the innocency of the client for whom he argues. Mr. Spedding devoted nearly a lifetime, and all the resources of a fine intellect and an earnest conviction, to make us revere as well as admire Bacon. But it is vain. It is vain to fight against the facts of his life: his words, his letters. "Men are made up," says a keen observer, "of professions, gifts, and talents; and also of themselves." With all his greatness, his splendid genius, his magnificent ideas, his enthusiasm for truth, his passion to be the benefactor of his kind; with all the charm that made him loved by good and worthy friends, amiable, courteous, patient, delightful as a companion, ready to take any trouble—there was in Bacon's "self" a deep and fatal flaw. He was a pleaser of men. He was one of the men—there are many of them—who are unable to release their imagination from the impression of present and immediate power, face-to-face with themselves. It seems as if he carried into conduct the leading rule of his philosophy of nature, parendo vincitur. In both worlds, moral and physical, he felt himself encompassed by vast forces, irresistible by direct opposition. Men whom he wanted to bring round to his purposes were as strange, as refractory, as obstinate, as impenetrable as the phenomena of the natural world. It was no use attacking in front, and by a direct trial of strength, people like Elizabeth or Cecil or James; he might as well think of forcing some natural power in defiance of natural law. The first word of his teaching about nature is that she must be won by observation of her tendencies and demands; the same radical disposition of temper reveals itself in his dealings with men: they, too, must be won by yielding to them, by adapting himself to their moods and ends; by spying into the drift of their humor, by subtly and pliantly falling in with it, by circuitous and indirect processes, the fruit of vigilance and patient thought. He thought to direct, while submitting apparently to be directed. But he mistook his strength. Nature and man are different powers, and under different laws. He chose to please man, and not to follow what his soul must have told him was the better way. He wanted, in his dealings with men, that sincerity on which he insisted so strongly in his dealings with nature and knowledge. And the ruin of a great lifetime was the consequence.

Which of these questions is most relevant to this passage?

Adapted from Eminent Victorians by Lytton Strachey (1918)

The history of the Victorian Age will never be written; we know too much about it. For ignorance is the first requisite of the historian—ignorance, which simplifies and clarifies, which selects and omits, with a placid perfection unattainable by the highest art. Concerning the age which has just passed, our fathers and our grandfathers have poured forth and accumulated so vast a quantity of information that the industry of a Ranke would be submerged by it, and the perspicacity of a Gibbon would quail before it. It is not by the direct method of a scrupulous narration that the explorer of the past can hope to depict that singular epoch. If he is wise, he will adopt a subtler strategy. He will attack his subject in unexpected places; he will fall upon the flank, or the rear; he will shoot a sudden, revealing searchlight into obscure recesses, hitherto undivined. He will row out over that great ocean of material, and lower down into it, here and there, a little bucket, which will bring up to the light of day some characteristic specimen, from those far depths, to be examined with a careful curiosity. Guided by these considerations, I have written the ensuing studies. I have attempted, through the medium of biography, to present some Victorian visions to the modern eye. They are, in one sense, haphazard visions—that is to say, my choice of subjects has been determined by no desire to construct a system or to prove a theory, but by simple motives of convenience and of art. It has been my purpose to illustrate rather than to explain. It would have been futile to hope to tell even a précis of the truth about the Victorian age, for the shortest précis must fill innumerable volumes. But, in the lives of an ecclesiastic, an educational authority, a woman of action, and a man of adventure, I have sought to examine and elucidate certain fragments of the truth which took my fancy and lay to my hand.

I hope, however, that the following pages may prove to be of interest from the strictly biographical, no less than from the historical point of view. Human beings are too important to be treated as mere symptoms of the past. They have a value that is independent of any temporal processes—which is eternal, and must be felt for its own sake. The art of biography seems to have fallen on evil times in England. We have had, it is true, a few masterpieces, but we have never had, like the French, a great biographical tradition; we have had no Fontenelles and Condorcets, with their incomparable éloges, compressing into a few shining pages the manifold existences of men. With us, the most delicate and humane of all the branches of the art of writing has been relegated to the journeymen of letters; we do not reflect that it is perhaps as difficult to write a good life as to live one. Those two fat volumes, with which it is our custom to commemorate the dead—who does not know them, with their ill-digested masses of material, their slipshod style, their tone of tedious panegyric, their lamentable lack of selection, of detachment, of design? They are as familiar as the cortege of the undertaker, and wear the same air of slow, funereal barbarism. One is tempted to suppose, of some of them, that they were composed by that functionary as the final item of his job. The studies in this book are indebted, in more ways than one, to such works—works which certainly deserve the name of Standard Biographies. For they have provided me not only with much indispensable information, but with something even more precious—an example. How many lessons are to be learned from them! But it is hardly necessary to particularize. To preserve, for instance, a becoming brevity—a brevity which excludes everything that is redundant and nothing that is significant—that, surely, is the first duty of the biographer. The second, no less surely, is to maintain his own freedom of spirit. It is not his business to be complimentary; it is his business to lay bare the facts of the case, as he understands them. That is what I have aimed at in this book—to lay bare the facts of some cases, as I understand them, dispassionately, impartially, and without ulterior intentions.

Which of these questions is least relevant to this passage?

Adapted from Frederick Douglass (1899) by Charles Chestnutt.

It was the curious fate of Douglass to pass through almost every phase of slavery, as though to prepare him the more thoroughly for his future career. Shortly after he went to Baltimore, his master, Captain Anthony, died intestate, and his property was divided between his two children. Douglass, with the other slaves, was part of the personal estate, and was sent for to be appraised and disposed of in the division. He fell to the share of Mrs. Lucretia Auld, his master's daughter, who sent him back to Baltimore, where, after a month's absence, he resumed his life in the household of Mrs. Hugh Auld, the sister-in-law of his legal mistress. Owing to a family misunderstanding, he was taken, in March, 1833, from Baltimore back to St. Michaels.

His mistress, Lucretia Auld, had died in the mean time; and the new household in which he found himself, with Thomas Auld and his second wife, Rowena, at its head, was distinctly less favorable to the slave boy's comfort than the home where he had lived in Baltimore. Here he saw hardships of the life in bondage that had been less apparent in a large city. It is to be feared that Douglass was not the ideal slave, governed by the meek and lowly spirit of Uncle Tom. A tendency to insubordination, due partly to the freer life he had led in Baltimore, got him into disfavor with a master easily displeased; and, not proving sufficiently amenable to the discipline of the home plantation, he was sent to a certain celebrated slave-breaker by the name of Edward Covey, one of the poorer whites who, as overseers and slave-catchers, and in similar unsavory capacities, earned a living as parasites on the system of slavery. Douglass spent a year under Coveys ministrations, and his life there may be summed up in his own words: "I had neither sufficient time in which to eat nor to sleep, except on Sundays. The overwork and the brutal chastisements of which I was the victim, combined with that ever-gnawing and soul-destroying thought, 'I am a slave,—a slave for life,' rendered me a living embodiment of mental and physical wretchedness."

But even all this did not entirely crush the indomitable spirit of a man destined to achieve his own freedom and thereafter to help win freedom for a race. In August, 1834, after a particularly atrocious beating, which left him wounded and weak from loss of blood, Douglass escaped the vigilance of the slave-breaker and made his way back to his own master to seek protection. The master, who would have lost his slave's wages for a year if he had broken the contract with Covey before the year's end, sent Douglass back to his taskmaster. Anticipating the most direful consequences, Douglass made the desperate resolution to resist any further punishment at Covey's hands. After a fight of two hours Covey gave up his attempt to whip Frederick, and thenceforth laid hands on him no more. Strength of character, re-enforced by strength of muscle, thus won a victory over brute force that secured for Douglass comparative immunity from abuse during the remaining months of his year's service with Covey. And soon after he was emboldened to escape.

The manner of Douglass's escape from Maryland was never publicly disclosed by him until the war had made slavery a memory and the slave-catcher a thing of the past. It was the theory of the anti-slavery workers of the time that the publication of the details of escapes or rescues from bondage seldom reached the ears of those who might have learned thereby to do likewise, but merely furnished the master class with information that would render other escapes more difficult. That this was no idle fear there is abundant testimony in the annals of the period. But in later years, when there was no longer any danger of unpleasant consequences, Douglass published in detail the story of his flight. It would not compare in dramatic interest with many other celebrated escapes from slavery or imprisonment. He simply masqueraded as a sailor, borrowed a sailors "protection," or certificate that he belonged to the navy, took the train to Baltimore in the evening, and rode in the negro car until he reached New York City. Fear clutched at the fugitive's heart whenever he neared a State border line.

Douglass arrived in New York on September 4, 1838. But, though landed in a free State, he was by no means a free man. He was still a piece of property, and could be reclaimed by the law's aid if his whereabouts were discovered. While local sentiment at the North afforded a measure of protection to fugitives, and few were ever returned to bondage compared with the number that escaped, yet the fear of recapture was ever with them, darkening their lives and impeding their pursuit of happiness. But even the partial freedom Douglass had achieved gave birth to a thousand delightful sensations. In his autobiography he describes this dawn of liberty thus: "A new world had opened up to me. I lived more in one day than in a year of my slave life. I felt as one might feel upon escape from a den of hungry lions. My chains were broken, and the victory brought me unspeakable joy."

Which of these questions is most central to this passage?

Adapted from Famous Men of the Middle Ages (1904) by John Henry Haaren and Addison B. Poland.

The study of history, like the study of a landscape, should begin with the most conspicuous features. Not until these have been fixed in memory will the lesser features fall into their appropriate places and assume their right proportions. The famous men of ancient and modern times are the mountain peaks of history. It is logical then that the study of history should begin with the biographies of these men.

Not only is it logical; it is also pedagogical. Experience has proven that in order to attract and hold the child's attention each conspicuous feature of history presented to him should have an individual for its center. The child identifies himself with the personage presented. It is not Romulus or Hercules or Cæsar or Alexander that the child has in mind when he reads, but himself, acting under similar conditions. Prominent educators, appreciating these truths, have long recognized the value of biography as a preparation for the study of history and have given it an important place in their scheme of studies.

The former practice in many elementary schools of beginning the detailed study of American history without any previous knowledge of general history limited the pupil's range of vision, restricted his sympathies, and left him without material for comparisons. Moreover, it denied to him a knowledge of his inheritance from the Greek philosopher, the Roman lawgiver, the Teutonic lover of freedom. Hence the recommendation so strongly urged in the report of the Committee of Ten—and emphasized, also, in the report of the Committee of Fifteen—that the study of Greek, Roman and modern European history in the form of biography should precede the study of detailed American history in our elementary schools. The Committee of Ten recommends an eight years' course in history, beginning with the fifth year in school and continuing to the end of the high school course. The first two years of this course are given wholly to the study of biography and mythology. The Committee of fifteen recommends that history be taught in all the grades of the elementary school and emphasizes the value of biography and of general history.

The series of historical stories to which this volume belongs was prepared in conformity with the foregoing recommendations and with the best practice of leading schools. It has been the aim of the authors to make an interesting story of each man's life and to tell these stories in a style so simple that pupils in the lower grades will read them with pleasure, and so dignified that they may be used with profit as text-books for reading. Teachers who find it impracticable to give to the study of mythology and biography a place of its own in an already overcrowded curriculum usually prefer to correlate history with reading and for this purpose the volumes of this series will be found most desirable.

Which of these questions is most central to this text?