2D Art Beyond European Artistic Traditions - AP Art History

Pre-Columbian societies often did not have a system of writing, so for much of their histories, the visual arts was their primary source of communication and record keeping, along with word-of-mouth record-keeping and day-to-day verbal conversation.

The early art of the colonial Americas (namely Mexico) was derived from the European artistic principles that the Spanish brought with them to New Spain (what is now Mexico). When the native settlers of New Spain began to paint using such European principles, they also added details that they could relate to, such as crops native to the Americas, or imagery from the folklore of their culture. These additions gave their paintings a unique indigenous appearance.

Mexican painters were trained using imported European copies and engravings of popular paintings and other works. Therefore, by the time they mastered the techniques they were studying from the engravings and copies, the trends featured had already gone out of style.

The Casta was a system of racial hierarchy used in New Spain and also in the Philippines during and after the Inquisition, based on perceived blood purity. It was determined by birth. Those with darker features had fewer opportunities, as did their children after them.

The Casta system of the Spanish colonies of the Americas neither encouraged nor discouraged the mixing of races, it was simply a hierarchy of races, in which white Europeans had more opportunities and rights than their dark-skinned, indigenous counterparts. This system was the subject of much colonial artwork, as many artists were commissioned to illustrate the different races and the classification of their offspring. The title of the painting, De español y mulata, morisca, translates to English as, "From Spanish and mulatto, comes morisco." This means that the child of pure Spanish blood and mulatto blood (mixed race), would be classified as a morisco.

Image from Wikipedia Media Commons: https://commons.wikimedia.org/wiki/File:Mestizo.\_Mestiza.\_Mestiza.jpg

The answer is all of the above. The stone tells the story of Coyolxauhqui and her brothers attempting to kill their mother, Coatlicue, when they find out she is pregnant. Instead, Huitzilopochtli (the child she was pregnant with) emerges from Coatlicue's womb fully grown and defeats Coyolxauhqui. The stone depicts the exact moment Coyolxauhqui's body is broken after her beheaded body is thrown down the mountain.

Hide paintings and oral stories were used by indigenous Native Americans to record their history, as they did not have access to the printing press until after the arrival of European invaders.

The Mexican Mural Movement was Mexican painting movement that developed from the 1920s to the 1950s. Its most well-known painters were Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Each of these men were heavily influenced by Marxism and a sense of Mexican nationalism, which made them want to paint historical, indigenous, and agricultural scenes. Most of the muralists were often skirting trouble with the changing governments in Mexico, finding their support fluctuating throughout their careers.

Official Catholic record states that San Juan Diego, then just a peasant, witnessed an apparition of the Virgin Mary four times at the Hill of Tepeyac, now a suburb of Mexico City. It is said that the apparition of the Virgin Mary spoke to him in his native tongue of Nahuatl, asking for a church to be built there in her honor. Now the Basilica of Our Lady of Guadalupe is the most visited Catholic pilgrimage site in the world, and the world's third most-visited sacred site.

Diego Rivera is a very well-known Mexican artist. One of his many artistic accomplishments was to help launch Mexican muralism in the 1920s. Although Mexico has a long history of mural art, Mexican muralism gained traction as a globally popular art form thanks to the contributions of Rivera and other artists, such as José Clemente Orozco and David Alfaro Siqueiros, as they used the form as a political and social tool. In the USA, Mexican muralism served as inspiration for the Chicano art movement.

The Mexican Mural Movement was Mexican painting movement that developed from the 1920s to the 1950s. Its most well-known painters were Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. Each of these men were heavily influenced by Marxism and a sense of Mexican nationalism, which made them want to paint historical, indigenous, and agricultural scenes. Most of the muralists were often skirting trouble with the changing governments in Mexico, finding their support fluctuating throughout their careers.

The Academy of San Carlos was established by the Spanish crown and staffed with an all-Spanish cast of instructors in order to better control the artistic expression of the colonials, and the messages they were potentially spreading to one another about ideas that the Spanish Crown considered "dangerous." After all, the Spanish colonies of the Americas were growing increasingly culturally independent.

Although there were paintings done by indigenous artists in New Spain, the artists are unknown. Therefore, the first known artists are those who relocated to New Spain as adults, during their artistic careers. Some of these painters were religious figureheads, but they were Catholic, not Protestant.

The Lion symbolizes Buddha's royal status. The Wheel denotes Buddha's law. The Lotus is a symbol of Buddha's natural origins. Trees are not a key symbol in the iconographic scheme of Buddhist art.

Monumental landscapes during the Northern Song dynasty are characterized by their use of three distinct perspectives in the composition: high distance, level distance, and deep distance.

Instead of painting in golden hued paint on the screen in his White and Red Plum Blossoms, Ogata Kōrin inlays actual gold leaf onto his work of art, having the gold dominate the work of art. This use of non-paint or ink materials in creating screens was a signature element of the Rinpa school, who also utilized items such as mother of pearl, although gold leaf was by far the most frequent material included in Rinpa school work.

Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Ogata\_Korin\_-\_RED\_AND\_WHITE\_PLUM\_BLOSSOMS\_(National\_Treasure)\_-\_Google\_Art\_Project.jpg

Folding screens are a central part of Japanese art due to their use in Japanese domestic architecture as dividers between different spaces. This meant that screens such as White and Red Plum Blossoms by Ogata Kōrin were central decorative objects in houses during the Edo Period of Japanese history. Ogata Kōrin's work was one of the key developments of folding screens as an art form.

Artwork from Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Ogata\_Korin\_-\_RED\_AND\_WHITE\_PLUM\_BLOSSOMS\_(National\_Treasure)\_-\_Google\_Art\_Project.jpg

This image, "The Great Wave Off Kanagawa" by Hokusai, is one of the iconic and indelible images of Japanes art. Done in the ukiyo-e woodblock printing style, the print is in many copies throughout the world, and in the usual fashion of nineteenth-century Japanese art, it depicts a dramatic force of nature in a landscape. Additionally, its formalism and representational elements are indicative of art from the Edo period (1603-1867).

Krishna is seen as the full incarnation of the god Vishnu in many forms of Hinudism, and is therefore an extremely popular subject in Hindu religious art. Krishna is most easily identifiable as having blue skin, which is related to the meaning of his name in Sanskrit, "the dark one." Krishna has been worshipped as the supreme god since the middle ages in Hindu religious traditions.